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Home Page › Recreation › Music
 

Songwriting - Balancing Innovation with Predictability

 

Author: Gary Ewer

Everyone's looking for innovation when it comes to writing songs. Obviously, you don't want your songs to just sound like every other song out there. You want yours to stand out. Making a song stand out from the rest requires innovation - a new approach. But here's the danger: if your songs are too innovative, you'll find that listeners can get confused, or even bored. Songs need to have something predictable about them. In other words, if your song is too innovative, it can drive your audience away.

Innovation is not a bad thing, and many great bands and singers have spent years building up an audience for their material by being innovative. But for the most innovative performers out there, the building of that audience will require a long time, and lots of patience.

This article is for those of you who want to build audiences quickly. Its one thing to be satisfied with taking years to build a listenership. But I know that many of you are wanting to get a loyal following sooner than that. You can do that by concentrating more on predictability at first rather than innovation.

So if you want to build an audience for your music quickly, you'll need to think about presenting your material in a fresh, innovative way that does not abandon tradition. The Beatles are probably the greatest example of this. Their early music was modeled after some very successful singers: Buddy Holly, Elvis Presley, Chuck Berry and others. Presented in a fresh way, their early music relied on standard song forms, with rather traditional chord changes and melodic structures. "All My Lovin'", "I Want to Hold Your Hand," "She Loves You," etc. Great songs, strongly steeped in tradition, with a hint of innovation.

Once the Beatles got that audience, they began to experiment more with innovative compositional and recording techniques. So having built up a loyal audience, they were able to present songs like I Am the Walrus, Strawberry Fields Forever, and so on. And that loyal audience, generally speaking, hung in there with them.

So here are some tips to consider for balancing innovation with tradition:

1) Be sure that at least one element of your songs either chord progressions, melody, lyric or basic form, is traditional, and somewhat predictable. This will help those looking for something safe, and will give you a solid basis to present something innovative.

2) For the element of your song that you might consider innovative, remember that the further out there it is, the stronger the possibility that you will scare away listeners. This is not necessarily a bad thing, because you may pick up listeners that you wouldnt have otherwise had. Just remember that the more innovation you use, the slower youll build that audience.

3) Dont be afraid to clothe complex lyrics or melody with a traditional ABABCB type of form. Simple forms are great ways to make sure that a listener doesnt feel lost.

And always remember to be yourself. Being innovative simply because you want to try to sound different will not succeed. You need to always be presenting your material in a way that is true to the musician inside you. Being weird for weirds sake will come across as pretentious.

Author Bio:

Gary Ewer

Gary Ewer is a Canadian composer / arranger / clinician and teacher. As a composer Mr. Ewer has written for a variety of professional ensembles. His music has been heard on CBC and performed by various groups including Symphony Nova Scotia, the Elmer Isler Singers, Rhapsody Quintet, the Cape Breton Chorale and others. Presently Mr. Ewer is a full-time instructor at Dalhousie University in Halifax, teaching aural perception and music theory, and is the conductor of The Dalhousie Chorale and the Dalhousie Chamber Choir. He is the author of Gary Ewer?s Easy Music Theory, a CD-ROM course in music rudiments. He is also the author of "The Essential Secrets of Songwriting", an e-book designed to help all songwriters improve their craft.

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